Do You Remember Love?

In spite of my reduced activity in Lemuria of phosphorescent, I managed to achieve the title of God Slayer just before the release of 天秤のLa DEA。~戦女神MEMORIA~. There's no connection between the two games whatsoever, but I feel like my life is now complete.

Eriri is going to crash and burn in the next volume, isn't she?

Here I thought 冴えない彼女の育て方 was just going to be fairly uneventful albeit harmlessly fun, but Maruto sure showed me that it's quite not the case. While the latest volume can be seen as a nice gesture from Maruto to fans of Eriri, Megumi distancing herself from Tomoya and the rest of their doujin circle ends the story on a rather solemn note. The worst part is probably the fact that the next volume is going to be a series of short stories, because the editor asked Maruto to buy some time before the anime airs. Really now? It's pretty hard to imagine that they won't butcher Kurehito's fluid art style, which had drawn me in well before I knew of Maruto's involvement. I'm such a sucker.

For those unfamiliar with the series, 冴えない彼女の育て方 is authored by Fumiaki Maruto, a veteran scenario writer who is probably best known for penning White Album 2 these days, and illustrated by Kurehito Misaki. The story follows Tomoya Aki, an otaku whose chance encounter with a beautiful girl during the spring break inspires him to make a doujin game with a heroine based on the girl. A month later, Tomoya finds out that the girl is actually his classmate Megumi Katou, an ordinary girl with no notable features. Joining Tomoya on his project are his childhood friend and doujin artist Eriri Spencer Sawamura, his senior and popular light novel writer Utaha Kasumigaoka, and his cousin Michiru Hyoudou who is the vocalist and guitarist of icy tail. Together they form the doujin circle Blessing Software and youthful shenanigans ensue. Currently they are working hard to finish up their game before the Winter Comiket deadline.

Consequence Of Chaos

The month has just started but it already feels like a repeat of last April.

It's not everyday that I get to open the post with a wide image, even if it's not particularly relevant. I'm not going to overload anyone with information so here's Date A Live ~Heroines Strategy Program~ in your friendly neighbourhood format. Or you can always go seven times bigger and get the original lossless files here instead. Putting it all together took a lot longer than I had anticipated.

Despite 130 pages or so of delicious artworks by Tsunako, Hyperdimesion Neptunia Re;Birth 1&2 The Complete Guide + Visual Collection isn't too great. A good number of the illustrations included in the book have already been published some time ago anyway, which is a little disappointing to be honest. The complete guide which takes up half of the book feels a bit like an afterthought and likely won't be especially helpful to most people. Nevertheless, it's nice to finally have various store exclusive illustrations in clean high resolution.

Born Under A Bad Sign

There should be an achievement for beating the final boss in Drag-on Dragoon 3 with eyes closed. Three's DLC scenario was definitely not what I had in mind though.

Honestly this isn't what I had planned to do but the latest volume of Date A Live is quite amusing for all the wrong reasons. So here it goes. The illustration scans are here.

Origami Tobiichi

The prologue. Origami Tobiichi hadn't always been "special". She was certainly smart, and did well in academics and sports, but it was nothing out of the ordinary. At most it was just something that her parents could be proud of in parent-teacher interviews. She was good at mathematics but struggled with Japanese; she enjoyed gratin but disliked celery; and her dream was to be a cute bride (Origami please). The young Origami thought that the lovely world would go on forever. But the summer five years ago changed everything.

Well I don't think I need to reiterate the incident five years ago. Origami found her parents alive and was about to reach out to her father before something akin to bright light suddenly descended from the sky and blew her away. What remained of her parents were nothing more than small fragments. It was at that moment Origami swore that she would take revenge on the mysterious girl who killed her parents.

Origami was taken in by her aunt, who was once affiliated with AST. Through her aunt, Origami learnt about Spirits, and decided to train herself to be strong enough so that she can avenge her parents. She no longer had any weak subjects in school, and food became mere nutrients. Her dream had changed to "killing that Spirit" as well, and I don't know which one is worse. Although Origami's mind was set and she pushed herself hard to achieve her goals, there were moments that she could set her mind at ease thanks to Shidou. Her feelings for him is closer to some form of emotional dependence than love. It was through Shidou that she managed to retain a sense of herself. So even if it was because of Shidou that she ended up being hunted by AST, she did not hate him once. She joined AST to fight against Spirits, but she could not defeat them with the Realizers she had. She needed more power, so she joined DEM where she obtained cutting-edge equipment and the body for it.

The Target is Shidou

Or alternatively, and perhaps more literally, Shidou the Targeted.

A pleasant fragrance invades Shidou in his sleep. He stretches, the back of his hand meeting something warm and soft, followed by a quiet moan. Realizing that something is amiss, Shidou wakes up to find Natsumi, in her adult form, sitting next to him on his bed. Natsumi greets the startled Shidou, who has quickly backed away from her. Shidou is surprised to see Natsumi in this form, but Kotori enters the room and beats him up before he could figure out what's going on.

Kotori explains to Shidou that while Natsumi's powers have been sealed successfully, her mental strength is extremely weak and her emotions are quite unstable. As a result, her powers manifest much more easily than Tohka and the other Spirits'. Kotori tries to lecture Natsumi but they end up insulting each other about their bust sizes.

Mugino, is that you? Kotori gets caught up in the moment and remarks that even if Natsumi has a nice body after transformation, her real body is shorter and smaller than Kotori's. The remark apparently upsets Natsumi so much that she starts crying. Kotori is forced to eat her own words and admits that she is more of a shorty than Natsumi, only to realize that Natsumi has tricked her. Natsumi runs away and Kotori goes after her. As peacefulness returns to his room, Shidou decides to clean himself up.

Another Heaven

I know I'm never on time with this kind of thing, but I wish everyone who chances upon this lazy quarter of the internet a happy New Year. I'm certain that this year is going to be quite exciting with many things to look forward to. So don't stop taking it easy just yet.

Amazingly enough it's already been 3 years since the last time that the G5 Project had done anything together, and no doubt many have been eagerly anticipating a new album for a long time. I personally didn't feel like it's really been that long since G5 2010, mostly because Godspeed had put out G.O.D. and Growl in the meantime. It's difficult to describe the feeling I had when I found out that a new G5 album was slated for release at the Winter Comiket, but I wasn't too thrilled about it. Indeed, it was with some skepticism that I bought the album, because the era when crossfades could be trusted had long since gone. Yet at the same time I was aching to hear the evolution of some of my favourite guitarists' music. My life is truly blessed with ambivalence.

Even if I tried my hardest, it would have been difficult not to compare G5 2013 with the previous albums. In my opinion, G5 2013 is like a totally different beast than what the G5 Project had offered so far. It's aspiring, spontaneous and experimental. There was never a dull moment on the album for me, but on the other hand high points were far and few between. A wild beast, ready to surprise the world with its majestic roar, but has yet to break free of the chains that have been binding it for far too long. That's pretty much how I feel about the album. In that sense I guess one could even say that G5 2013 has more in common with G.O.D. than the other G5 releases.

Strange Attractor

I must have really been out of the loop but no one's told me that setzer had left MintJam and become a supporting member of the band, which he had originally founded with a2c in 2003. He is now concentrating on his own group Polo Rockers, whose M3-30 release Imitation is like one of those strangers you can have a nice chat with and forget about soon after. Indeed, as capable as setzer is, his inability to stand out musically is kind of outstanding in itself. This is what happens when you are in a band with a monster, but even the great a2c seems like he's starting to run out of gas a bit. The guitar works on the single Try to be Brave/Weed Spirit and the mini album Little Monster were technically impressive as always, but lacked the melodic sensibility in a2c's earlier efforts. I'm not sure if this were the direction that a2c and TERRA had decided to take after setzer's departure, but I do hope that they can bring back some of the energy and creativity they had back in the good old days. It seems to me that quite a number of my longtime favourite musicians have been showing signs of burnout, and the quality of their compositions have suffered a lot as a result. Take a break, people. It's better to burn out than to fade away, but once you're gone you can't come back.

As old actors exit the stage, new players make their entrances. Released a few months ago at C84, CHIAROSCURO is perhaps the most inspiring album to come out of the event, and certainly the most ambitious offering from An (AcuticNotes) so far.

Influenced by onoken, particularly the track felys -long mix-, while he was still in high school, An began composing in 2009 and was first featured on a certain Diverse System album before releasing his first solo work Encryption in 2012. The dynamic rhythm and skilful arrangements of various instruments on the album quickly caught my attention, though admittedly I was much less enthusiastic when it came to his contributions on Diverse System albums. The full-length Abstreact, which An considers to be his first proper album since he treats Encryption as a prelude of sorts, saw him experimenting with different approaches while maintaining and perfecting his own style. Strangely enough, the concept album Kathalshame went largely unnoticed, which might have had something to do with the fact that it was much mellower and more ambient than his previous releases. Whereas Abstreact hit me fast and hard with its opener Infectious, Kathalshame left a pleasant impression on me with its closing track VIII.『対岸の話』. Both album had their moments, but overall they suffered from inconsistency either through a lack of a coherent theme, or a few too many filler tracks. That's probably the reason why I was really surprised when I picked up CHIAROSCURO, which had a string of solid tracks that tied that album together nicely.