Friday, 20 February 2015

Nothing Out Of The Ordinary

It is the time for one of those posts again.


So here are the illustrations for SaeKano Girls Side and pretty pictures from Shining Blade & Ark Collection of Visual Materials because why not. Akane certainly looks different from what I had in mind and even though it's a side story, Maruto isn't going easy on us at all. To think that Eriri and Megumi ended their friendship though (in Eriri's eyes anyway), that might actually change a few things.

My head beats a better way.

Thursday, 12 February 2015

Modern Meat

New year, old problems.


I was supposed to write this a month ago but it's just too easy to be lazy. So Megumi is really everywhere now. What are you planning, Maruto? Winter Comiket may be over but the fun certainly hasn't stopped. Missed out on a couple of things but got most of what I had wanted and a bit more. Apart from the pretty pictures, I suppose what I looked forward to the most were Maruto and Kurehito's comments in the new book. Jokes about Izumi bumping into Tomoya in the school corridor and (with a 1 in 10,000,000 chance) ending up in paizuri a highly compromising position aside, she and Michiru should be playing bigger roles in the upcoming volumes. Maruto's known love for married women and black tights appears to be alive and well, so perhaps Kurehito's wish for Eriri's mother to get lots of screen time will be realized soon too. Not that it helped Sayuka in any way, but that's probably an entirely different story altogether.

The part that got me the most was perhaps the theme of Volume 7 illustrations. Essentially, it's the contrast between this and this, Megumi and Eriri's crying scenes, and lastly Megumi buying a pair of glasses for Tomoya and Eriri taking them away. That's nice and all except that upon close inspection it becomes apparent that Megumi and Eriri have exactly the same hands. It gave me a good laugh, especially since there was this as well. There's something going on here and I'm not sure if anyone is prepared to learn the truth.

Wednesday, 31 December 2014

Last Note, First Trip

Could this be the first time ever that we have reached a climax at the end of a year on this sad little show I'm running by myself? The cold stillness of a despairing winter and the warm liveliness of a hopeful spring; after six volumes and a fan disc, we are here at last to witness the bittersweet finale of the first stage of Saenai Heroine no Sodatekata.


From the moment Megumi was revealed to be on the cover for the first time, it was clear that something big was about to go down. If the first five volumes were building up an amusement park and the previous volume was us getting on its emotional roller coaster, then this one is where we go for the wild ride. The best part is that there are still other attractions to visit afterwards.

Previously on SaeKano, ominous clouds gather over the bridge of troubled waters. With the Winter Comiket submission deadline looming just around the corner, Eriri retreats to her family mansion on the Nasu Highlands to finish her illustrations. After going through serious struggles as an artist, she develops a new style and completes her work, but collapses due to the deadly Japanese cold fatigue. Tomoya decides to give up on the game and rushes to Eriri's side. Though initially upset at his decision, Eriri spends Christmas with Tomoya and the two of them finally make peace with each other. Their game would eventually become a top seller, but Tomoya's decision to act alone creates a rift between him and Megumi who begins to distance herself from him after Comiket. Meanwhile, Eriri discovers that she is unable to reproduce her new art style. For a slightly longer version, see here.

Tuesday, 23 December 2014

Keep Yourself Alive

Come into these arms again, and lay your body down. The rhythm of this trembling heart, is beating like a drum.

Still falls the night. Lust for blood. Killing under a scarlet moon.


For reasons less than honourable, I picked up 太陽のチャンネル or Channel of the Sun, a new title illustrated by Shinobu Kuroya and authored by Yukito Urushibara, yet another scenario writer who's ventured into the world of light novels. I haven't actually read Yukito's best known work いろとりどりのセカイ, so I'm going into this with just the knowledge that he has a habit of repeating himself and padding out sentences, and dividing whole sentences up into small, individual lines. Arguably the latter – aimed at creating a unique sense of rhythm – is not so much of an issue when presented in a book format, since the entire texts are laid out before the readers unlike visual novels that require mouse clicks and button presses. Though on the other hand some will likely find the broken sentences ineffective, clumsy and a pain to trudge through.

The story follows Hitoshiki Shima, a high school student who leads a double life as the strongest hitman. One night, he receives a bag to deliver for his job but is surprised to discover the body of a pretty girl inside. He is almost immediately approached by another mysterious girl who tries to take the bag by force after Hitoshiki refuses to hand it over. Quickly realizing that he's no match for the seemingly immortal girl, Hitoshiki takes the bag and retreats through sewer tunnels. He safely arrives at Kokuma Dormitory – Hitoshiki's home and the destination for his delivery – and shockingly finds the girl in the bag alive as she rises, bathed in sunlight, and asks to meet Rintarou Shima – the original owner of the dormitory, a demon hunter, the self-proclaimed world's No.1 busybody, Hitoshiki's saviour, and his late foster father.

Saturday, 20 December 2014

Joy Of Motion

I guess this is where I say Merry early Christmas and dump pretty pictures so I don't have to write anything else.


So here are the illustrations of Date A Live Encore 3, 太陽のチャンネル, and 冴えない彼女の育てかた 7. Expect some ramblings about the last two soon. Especially SaeKano, reading it was like getting hit by a bus. Not that I'd want to know what that actually feels like.